In this special instalment of Music Video of the Week (and please, excuse my lateness in posting this one. Been quite busy this week helping my sister move house, among other things, so it took me a little longer to get this out than I would have liked), I have the pleasure of presenting to you guys Amon Amarth’s latest single, “Father of the Wolf” (only just released a couple of days ago). But what makes this edition of MVotW special is the sheer production value and thought that went into this video.
Something I personally love at the moment is how many bands are currently treading the still rather unexplored waters of converting music videos into what are essentially mini-films (think Nightwish’s Imaginaerum and Metallica’s recent film, Through the Never). And that’s exactly what you’re going to get with this video: a great script accompanying a story of a prophet’s ominous words of the coming of the Trickster; the fire god, Loki. And of the confrontation between Loki and the Norse thunderer himself, Thor.
For the Amon Amarth fans out there, remember the front and back cover artwork for Deceiver of the Gods? You know, the epic clash between Thor, backed by the Einherjar, and Loki and his Army of the Dead. Yeah? Well, get ready to watch that whole battle unfold before your eyes while Johan Hegg and the rest of the Amon Amarth gang do their thing and deliver yet another delicious slice of their fantastic brand of Viking-themed melodeath.
It’s quite a treat, I’ll say that! I loved every minute of it.
Enjoy the journey, guys!
Under the eyes of Epona, a Gallo-Roman fertility goddess and protector of horses, donkeys and mules, Eluveitie deliver an amazing performance is this amazingly produced video. Bathed in the light and spirit of the Celtic countryside, Anna Murphy takes up vocal duties and delivers what I still feel is one of her best performances to date.
Through gorgeous shots of woods and mountainsides, the band feel right at home here. I’ve got to say, this is one of my favourite music videos, and once you watch it, I’m sure you see why. The direction is fantastic, and Patrick Kistler’s tin whistles! Oh man, this guy is awesome.
While not a traditional melodic death metal song like the majority of their singles – and equally discography – “A Rose for Epona” is, however, a great example of Eluveitie’s diversity and talent as a band. Murphy’s vocals weave so beautifully around the arrangements, and the almost mystical-like shots of her standing before the bonfire are gorgeously done.
All the elements come together to build a sorrowful tale that you can’t help but become immersed in. It reaches its peak around the midway point when main frontman, Chrigel Glanzmann, enters, and he and Anna sing in harmonious union. The instruments are fantastic, and there’s such wonderful melody to it all. You really feel as if you’re peeking into another time, a world that took place in the one we occupy now, but yet was so different.
“A Rose for Epona” is an excellent single, and an even better produced music video. Go check it out, I’m sure you’ll come to adore the experience as much as I do.
Hey guys, and welcome to my first ever instalment of Retro Reviews! In this new segment, I’ll be writing reviews for, and talking about any and all, full-length albums or EPs I’ve found interesting, enjoyed, or was disappointed by (whether they be old or new). Also, don’t expect just the usual blend of albums and EPs, either. I plan to occasionally mix things up a bit with compilations or “Best Of’s” (or anything else I may find) that I own in my collection, as well. Hell, it’s a blog, and I figure I’m not as restricted in the content I can provide, so why not, right?
To kick start this new segment, I’ll be opening with an EP I came across only recently. It’s the self-titled debut by Oxford-based stoner rockers, Overlord. They liked me on Twitter at one point, and that was how I discovered their bandcamp page (links at the end of this review), and I have to say it was quite a cool little find!
So, read on, and I hope you enjoy this new segment.
Retro Reviews #1
Overlord – Overlord, EP (2012)
Founded in 2011, the aim of Overlord, according to their bandcamp, is to “play a fresh, modern take on the dark, progressive rock/early metal bands of the 1970s, informed as much by modern thrash/groove metal as they are by traditional blues.” This is quite a good summary of this band, and listening through Overlord, the 70s are made immediately noticeable as the high level of fuzz and distortion blares through the amps and assaults the senses in only the first few opening seconds. As the hefty rhythm section kicks in, the evident groove sways over the fine vocals of Tal Fineman, leaving a warm sensation in the ears, and building an ambience that really draws you in.
While it can be said that on this debut EP Overlord come across as a band still coming into their own, and maturing as an act, it can also be said that the level of groove and melody to this EP is quite commendable, as well. This is a band that clearly know their niche and have wholeheartedly embraced it.
The undeniable flare of the 1970s shines through in every riff, every pulsing drum beat, and every coursing bass line, thrumming with the distorted, fuzz-laden power of Black Sabbath, Graveyard, and Orange Goblin.
Overlord’s English roots are only further welcomed here, serving to hearken back to the golden era of British rock and heavy metal; channelling at times the likes of Jimi Hendrix, and at others, the psychedelic, droning beauty that is early Sabbath.
It’s got to be said that Overlord is one of those EPs that only seems to grow on you with each listen. While it didn’t immediately grab me at first, on repeat listens, I said to myself, “how the hell did I not get this the first time round?” The riffs, the rhythm section, and Fineman’s vocals are the absolute highlights of this record, and in every minute of the 18 that make up Overlord you can feel the raw grittiness of stoner rock blaze up within you (feel free to make weed jokes there, too).
Overlord are one of those bands that really understand their genre. They’ve infused their stunning blend of rock perfectly in-sync with the psychedelia that makes up the mix.
Alongside all the 70s throwback, there is also a fantastic slice of melody inserted in here, as well. This is especially evident in the third track of the EP, “The Valley”. With an opening segment that recalls the softer, ‘ballady’ (if that’s not a word, it is now) tracks of Pantera, “The Valley” explodes around the one-and-a-half minute mark as it thunders into an excellent rhythm that is very hard to not sway or headbang along to.
All props must go to Rhys Williams. His guitar work is incredible, and fits so amazingly in with this bands style. I was engrossed in every second he appeared in all his blues, stoner-fuelled glory.
For fans of bands like Graveyard, Clutch, Led Zeppelin, and Electric Wizard, there is a bit of something for everyone here. And Overlord is quite a stellar debut, and I honestly cannot wait to now go check out their most recent instalment, Authors, which was released in December last year.
Go over to Overlord’s bandcamp page and check them out for yourself. I guarantee you’ll be pleasantly surprised.
1. Crawl On
2. What The Hell
3. The Valley
2013 was quite an interesting year for music. There were a host of awesome new bands that cropped up, and many great singles were released during the course of the year as a result.
This list isn’t me trying to be pretentious here. It’s really just a list of singles that were continually played over on my iPod many times, and songs I couldn’t get enough of. Many of the bands featured here happen to be from Australia, and it’s wonderful to see the wealth and diversity steadily emerging from our country in both the metal scene and the music world in general.
P.S. If you guys like, you can also check out my Best Albums of 2013 list that I wrote for Metal Obsession here. It’s my hope you may discover a bit of new music here yourself, but if not, it’s all good. I hold no grudges. It was regardless still an awesome year, and I had a lot of fun discovering so many great new bands and albums to add to my collection.
But now, to the list!
The Top 5 Best Singles of 2013 (according to me)
5. Written in Stone – Thunder and Lightning
A great heavy metal single that helped introduce me to this band from Berlin, Germany. A combination of heavy metal with melodic power and speed interspersed into the mix. Solid vocals, with a great rhythm section. Definitely check it out!
4. Put Your Curse on Me – Stonefield
I was lucky enough to discover this band when my sister suggested we go to a gig down at the Ferntree Gully Hotel (before it sadly closed down) late last year, as one of her friends was doing the sound engineering for the show. I was so glad I did, though! Stonefield are amazing, especially live. They’re a rock group comprised of four sisters from Darraweit Guim, a small town in rural Victoria. They honestly put on one of the best live shows I’ve seen, and were incredibly engaging with their crowd for a band so young and new. I immediately bought their self-titled full length debut, and I wasn’t disappointed. Sure, the production value mightn’t be as solid as their live act, but it’s still a great introduction to the band, and I don’t doubt will also serve as incentive to head over to one of their shows at some point. The trip’s definitely worth it.
3. Angus McFife – Gloryhammer
I first heard about Gloryhammer earlier last year, the new power metal project being helmed by Alestorm frontman, Chris Bowes. Already a fan of Alestorm and Chris (who I also had the pleasure of meeting during the Alestorm gig earlier in 2013; he was just as humble and fun to be around as you’d expect), Gloryhammer was a great find. Cheesy as all hell as you’d expect, in no way does it detract from the pure epicness that oozes from this album; a concept centred around an alternative history of Scotland filled with magic, wizards, and knights – the usual power metal fodder, basically. But that being said, the great arrangements and Thomas L. Winkler’s vocals make it all worthwhile. If you’re a fan of Rhapsody-level cheese, go check out this single, and then go pick this album. You won’t regret it.
2. Sans Memoria – Orpheus Omega
Orpheus Omega are a fantastic band, and one of the hardest working acts in Australia. Virtually every new show I see announced seems to feature them on the bill. That being said, this is in no way a bad thing. Orpheus are also one of the best melodic death metal bands I’ve heard, whether from Australia or otherwise. If you’re a fan of Euro-melodeath bands like In Flames, Dark Tranquillity, and At the Gates, you’re going to adore these guys! I know I do.
1. The Magic of Mithren’s Ring – Bane of Winterstorm
It has to be said that Bane of Winterstorm is the best discovery I made all year. Thanks to the guys over at Metal Obsession who first offered me the chance to review their debut full-length, I was absolutely blown away by The Last Sons of Perylin. I don’t think I’ve heard a symphonic power metal album as strong as this one, and that’s coming from someone who loves both old and new, Fabio Lione era, Rhapsody. The fact these guys came out of Melbourne, Australia is just further proof of how far our country has grown in the music world, and makes me proud to say I come from the same city as them. Trust me when I say this is one of the best albums to ever emerge from our humble country, and one of the best symphonic power metal albums I’ve ever had the pleasure of listening to. It’s certainly set the bar very high for future releases and new bands, and it featured as my number 1 for the Best Albums of 2013 list, and once you have a listen to it, I’m sure you’ll understand why. (P.S. If you’d like to read some more about my thoughts on this album, you can check out my MO review here)
Here’s to a great year of new singles and albums in 2014!
Bit unconventional for a Music Video of the Week, I know, namely because it’s mainly an assortment of photo’s and titles, but regardless, I discovered this neat little band from Germany earlier in 2013 and was quite impressed with them. This is one of the best heavy metal tracks I had the pleasure of listening to in the recently past year.
With solid, melodic vocals, and an undeniable, excellent rhythm section that only helps heighten Norman Dittmar’s vocals, it can be said that Thunder and Lightning are a great find. And I’d go so far to say that track “Written in Stone” is on my list of top singles for 2013.
Definitely go check these guys out. You won’t regret it!
I feel this is somewhat of a momentous occasion (for me, at least, haha). I’m presenting to you all my first ever ‘Music Video of the Week’.
When this idea of a ‘Music Video of the Week’ first occurred to me as something I could do for my blog, I already had the perfect idea for what I’d use as my first MV. And thus, here we are now with Dokken’s successful 1987 single, Dream Warriors. Released to coincide with A Nightmare on Elm Street 3: Dream Warriors, this single, and indeed music video, all hearken back to this awesome Freddy Krueger tale, and personally, what is also one of my all-time favourite films and sequels.
Just as corny as you’d expect, the main premise behind the Dream Warriors music video is the American band, Dokken, use their brand of heavy/glam metal to defeat and drive away Freddy Krueger who is terrorising Kristen Parker, Patricia Arquette’s character in the movie. Combining a small amount of footage from the actual film, it’s interspersed with clever little nods to camera angles and shots used in the movie. For example, a couple of my personal favourites concerns drummer Mick Brown playing his drum lines within the oven in the boiler room, his face partially burned, to the scene where Kristen finds the young girl on the tricycle. The other is George Lynch’s fantastic intro to his guitar solo busting through the room that gets ripped to pieces by the ‘Freddy Worm’ in the feature film. Using one of his signature ESP guitars, decorated with skulls and bones, he rips into his excellent solo, further building the positive rock dream energy that will ultimately slay the Dream Demon that is Freddy.
Filled with tons of references to the Dream Warriors flick, and equally a number of shots that take place in locations from the movie, this music video is still one of the best examples I’ve seen to date of a film-to-music video crossover. And it does so extremely well.
Cleverly incorporating the great talents and wiles of Robert Englund, the man who portrays and brings brilliantly to life the character of Freddy, his scenes throughout as he keeps getting sidelined by Dokken on his mission to take out Kristen are great and enjoyable to watch. It ends on an amusingly ironic note, too, when Freddy wakes up terrified after a bad dream holding a dolly which he then tosses aside before speaking directly to the camera, asking, “What a nightmare! Who were those guys?”
This video is pure 80s indulgence, and is just great fun to watch and listen to, with Don Dokken’s vocals at their strongest. A classic blend of 80s culture if there ever was one!
*Video above is copyright of Dokken and the poster
Posted in Music Video of the Week
Tags: 1987, 80s, A Nightmare on Elm Street, analysis, blog, classic, Dokken, Don Dokken, Dream Warriors, ESP guitars, Freddy Krueger, George Lynch, glam metal, heavy, Kristen Parker, metal, Mick Brown, music video, Music Video of the Week, MV, MVotW, nostalgia, overview, Patricia Arquette, Robert Englund, rock, thoughts
Helvetios World Tour (Australian Leg)
(Melbourne, Billboard The Venue, 24/5/2013)
After more than a decade and five studio albums, Swiss folk metaller’s Eluveitie have finally made it down to Australian shores. As a part of the Australian leg for the Helvetios World Tour that the band has been conducting since early 2012, Eluveitie booked three separate shows in three states across Australia. Beginning with Brisbane, the band then flew down to Melbourne where they played for a more-than-eager group of fans at Russell Street’s own Billboard The Venue (a venue which steadily seems to be becoming the ‘place to be’ for extreme metal bands in Melbourne with groups such as Amon Amarth, Cradle of Filth, and Cannibal Corpse having played there, and Amorphis booked for an October show this year, as well).
After Decimatus and Orpheus Omega both warmed up the crowd, it was time for Eluveitie to take to the stage. Opening with the title track “Helvetios”, they were met by uproarious applause and a sea of horns. Notably, band member Patrick Kistler played a bagpipe that had an Australian flag attached to it, something which the crowd happily embraced.
It wasn’t long before everyone there was completely immersed in the Eluveitie experience. Front man and founding member, Chrigel Glanzmann, has an uncanny ability to engage a crowd. The metalheads were stuck on his every word, and gladly welcomed any opportunity he gave them to throw up the horns, chant, or just shout out to him. Like the mystic druids of old, Chrigel had them under his spell, and held them like that until the show ended.
Performing the Helvetios album in virtually its entirety, while you could tell that not everyone was as familiar with their latest full-length as their older material, it nevertheless didn’t quell the spirit of the crowd. The excellent musicianship and professionalism of Eluveitie cannot be praised enough. All members of the band performed to the best of their abilities, which is much more of an achievement when you consider Meri Tadic had fallen ill and wasn’t able to make it for the Australian leg of the world tour. But even with her absence, Eluveitie put on an incredible and memorable show.
One of the many highlights of the night was when the band performed “A Rose for Epona”. Anna Murphy’s vocals shone through and animated the crowd with a notable sway and lighters held high in the air. During the mid-section, she passed out roses to the people in the front row.
Before playing “Havoc” (their most recent single), Chrigel asked those in the mosh to start a circle pit which they happily obliged to. He then roared to the crowd, “Time to bring some havoc to this mother fucker!” Eluveitie then blazed through five more songs of pure folk metal goodness. Tin whistles blaring, bagpipes squealing, drums and guitars roaring, and Chrigel’s unmistakable growls made for one hell of a sea of Celtic folk metal that not only encompassed the venue, but ensorcelled the crowd.
The energy of the night never died down, and it only served to further heighten when Eluveitie reached their encore phase. Beginning with “The Liminal Passage” and “Otherworld”, the band then exploded into “Everything Remains As It Never Was” from the album of the same name. Followed by “Thousandfold”, the band then made a dedication to a couple celebrating their anniversary that’d travelled from Adelaide to see the band live in Melbourne. They dedicated the track “Quoth the Raven” to them. Closing the night with what is arguably their most well-known song, the crowd cheered in approval as Eluveitie trailed into “Inis Mona” with that familiar whistle-bagpipe intro.
As the band bowed their way out, a sea of heavy metal druids left Billboard The Venue with smiles planted on their faces, and the Gallic spirit in their heart.
Never Flick the Nipple
Welcome to Never Flick the Nipple,
Here is a place for metalheads, fantasy junkies, and whoever in between to congregate and offer sacrificial virgins to pagan deities! Okay, that last bit I made up. But, this is a spot for fans of metal to read current live gig reviews, albums reviews, and just my general ranting. Oh, and it will also be the spot for the occasional update on my fantasy novel, Pantheawar (working title), as well; which is currently a work-in-progress. So, that should be interesting.
So, let your hair down, throw up the horns, and crowd surf your way through a sea of insanity! And always remember, never flick the nipple. I hope you enjoy the ride.
Jonathon Besanko, Administrator of Never Flick the Nipple